Things You Need to Know About Pottery

 

Trying to pin down simply what makes a great pottery wonderful feels like a fool's errand since there are so many interweaving components in pottery - the type of firing, the clay and glazes used, the potter's repertoire of forms and sizes, and the particular character of their work – feels like a fool's errand.

Body

The form is at the heart of all good pots. All that remains after removing everything else – the decoration and the firing, which the pot's creator was, where, when, and how it was manufactured – in the pot's shape, its silhouette. A bad form will not be saved by any amount of glaze magic, embellishment, or potting bragging rights.

A well-balanced pot will have a prominent form; the proportions between different regions of the body, such as the neck and the shoulder, the base and the belly, will be carefully examined so that the pot pleases the touch and the eye.

Focus on the balance

Making symmetrical pots or using mathematical principles to make perfect angles aren't enough to achieve good form. Lines and curves can be manipulated and manipulated, and the most interesting pots are those that dance around rather than strictly adhere to the concepts of proportion.

Lopsided pots can have well-balanced shapes. Even the most wobbly of fine pots require an inner structure for proportion, a framework that the potter can adjust to emphasize different regions of a pot but that remains largely intact underneath the surface.

Go for the right shape

Both the Vietnam pottery wholesale company creating it and the client viewing it, rightness in shape is almost natural. You might not realize why the proportions are amiss, but the more pieces you look at, the more rapidly your eye will identify the beautiful form.

But shape is more than simply the outline of a pot; it also determines how it feels in your hand. Pottery is, above all, a tactile medium. The qualities of feel and function distinguish ceramics from many other arts; pots are meant to be held, turned over in the hand, and clasped between fingers as they are used.

What about the weight

When you take up a pot, the first thing you notice is its weight. An excellent pot will have a generous form, with a shape that begs to be held and a weight that feels secure in your hands. In most domestic ware pots, good form translates to good function: a well-thrown jug will hold water without being too heavy, and its handle will be simple to grasp and pleasant to the touch.


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